Environmental activist, journalist and writer, George Monbiot, examines sociological criticisms targeting the media sector in the movie ‘Don’t Look Up’, based on his own experiences.
Photograph: Niko Tavernise/AP
George Monbiot / Guardian
No wonder journalists have slated it. They’ve produced a hundred excuses not to watch the climate breakdown satire Don’t Look Up: it’s “blunt”, it’s “shrill”, it’s “smug”. But they will not name the real problem: it’s about them. The movie is, in my view, a powerful demolition of the grotesque failures of public life. And the sector whose failures are most brutally exposed is the media.
While the film is fast and funny, for me, as for many environmental activists and climate scientists, it seemed all too real. I felt as if I were watching my adult life flash past me. As the scientists in the film, trying to draw attention to the approach of a planet-killing comet, bashed their heads against the Great Wall of Denial erected by the media and sought to reach politicians with 10-second attention spans, all the anger and frustration and desperation I’ve felt over the years boiled over.
Above all, when the scientist who had discovered the comet was pushed to the bottom of the schedule by fatuous celebrity gossip on a morning TV show and erupted in fury, I was reminded of my own mortifying loss of control on Good Morning Britain in November. It was soon after the Cop26 climate conference in Glasgow, where we had seen the least serious of all governments (the UK was hosting the talks) failing to rise to the most serious of all issues. I tried, for the thousandth time, to explain what we are facing, and suddenly couldn’t hold it in any longer. I burst into tears on live TV.
I still feel deeply embarrassed about it. The response on social media, like the response to the scientist in the film, was vituperative and vicious. I was faking. I was hysterical. I was mentally ill. But, knowing where we are and what we face, seeing the indifference of those who wield power, seeing how our existential crisis has been marginalised in favour of trivia and frivolity, I now realise that there would be something wrong with me if I hadn’t lost it.
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