Art historian Svitlana Biedarieva, talks about the folk artist Maria Prymachenko whose works represents the liberation from the conventions that women experienced in rural Ukraine.
Svitlana Biedarieva / 5 Harfliler
In one of the first days of the ongoing invasion of Russia in Ukraine, the Russian troops burnt down the historical museum in Ivankiv, a town near Kyiv. The museum holdings included a collection of early-medieval archeological artifacts, rare Polissia (North Ukrainian and South Belarusian) folk icons, and a collection of 25 works by Maria Prymachenko, an Ivankiv-region-born folk artist who became emblematic for Ukrainian culture. Further, it was confirmed that the works by Prymachenko were saved thanks to the resilience of local people who before the invasion hid the works in their houses. It remains unconfirmed, however, whether all the works were saved and what are their current whereabouts. Her works are typically gouache on paper, so the correct archival preservation is essential due to their fragility.
Maria Prymachenko is an artist of key importance for Ukrainian culture. She represents both folk naivety and rootedness in the tradition and the liberation from the conventions that women experienced in rural Ukraine. In-between the hard routine of the Soviet-time village life, she managed to open a window into a variety of new worlds borne by her imagination. Her artistic method was informed with both local folk painting style – before Prymachenko used predominantly in decorative arts – and a particular dialogue with Ukrainian and European early twentieth-century avant-garde.
Importantly, Prymachenko expressed her political and socially engaged views through her art. In her 1978 work May that Nuclear War Be Cursed!, she has no shortage of bright, fluorescent colours to depict a monster of the war with a double snake-like tongue, both threatening and mesmerizing. Another work, The Threat of War (1986) is instead painted in dark, gloomy colours that depict a missile-looking animal with numerous insect legs and again with a long predatory tongue that greedily seeks for its victims.
In her other works, the topic of a peaceful sky gains particular importance. Our Army, Our Protectors (1978) depicts a village celebration, with a sun shining over the village, couples dancing as if celebrating victory, and two birds protecting the sky. This is precisely what Ukrainian society while having a powerful and skillful army, lacks in the current situation of the ongoing war – the aviation that would help cover the sky. The painting A Dove Has Spread Her Wings and Asks for Peace (1982) depicts a dove of peace covered with elaborate folk motifs. His protective wings overshadow the soil and protect it, making a homage to Pablo Picasso, who reportedly was fascinated by her works that he saw at the International Exhibition in Paris in 1937.
You can read the full article here.